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Fast-forward five or six years, and I am designing my first collection, pulling out the same papers and looking at old sketches and going from there. I feel like I’ve really just started to build a design community for myself. I was so crazed doing full-time freelance and also doing Charlotte Stone for the last three years that I didn’t make the time to reach out to peers or build those important relationships. I quit all my freelance work to solely focus on my line, and that’s when I started participating in every pop-up and local makers market that I could.
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Refresh your fall wardrobe with this marled knit sweater by Design History. Pointelle stitching and a scalloped collar add a feminine feel to this relaxed pullover featuring long puff sleeves and ribbed trim. Pair with jeans and a belt for a chic sweater-weather look. Always on-trend, Design History is now synonymous with sought after favorites including sweaters, tops, jackets and dresses. The brand epitomizes femininity and each style strikes a balance between sophistication and playfulness. See what we mean in our spotlights on nine L.A.
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Are either vintage seller friends or my vintage customers. I don’t really do market anymore, you burn out doing in-person markets, but it is so much fun. Your booth turns into all these young women, all talking about what’s going on in their love lives, and it’s just so much fun. It is such a great way to meet people and meet other cool women. From shoes and jewelry to jeans and work and travel wear, these L.A.-based ready to wear lines are pragmatic and minimal, but also stunning—and you will want to pay attention to them all.
Women
I grew up in a very rural community, and there was no fashion or sense of fashion whatsoever. My mom was a potter and my dad was musical and had very good style, and that sort of inadvertently affected me. I feel like they are responsible for my super minimally utilitarian aesthetic. Grand designs for the grand stage need not be obvious, they simply need to serve their purpose.
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Functionality communicates to the viewer the reasoning of eccentricity. This type of design is what you need to build a vision, folks! When lit by candle light in Barry Lyndon, they glow and when devoid of colour in A Clockwork Orange, they shine.
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In this way they r complement one of the film’s major themes by transporting the viewer from the past to the present. I’ve been out here almost 19 years, and producing in L.A. It’s a great city to manufacture in; there are more brands who operate out of this country who are building their things overseas.
Something that I put in the Spring collection that was influenced by living in L.A. Is a short little denim throw-on shift dress. That was a real hole in my personal wardrobe, moving from New York to L.A. I’m super-excited about the red denim I have in my collection, a very washed faded red for spring. I’ve been finding my own treasures by going to flea markets with my mom and aunts since I was old enough to walk.
Design History was founded in 2001 in New York and has established itself as a leading women’s contemporary brand. What initially launched as a line of cashmere has evolved far beyond that. In addition to his ability to produce authentic period pieces, the gangster flicks, musicals and dramas of Warner Bros were in skilled hands with him. The following list of 20 Costume Designers aims to highlight the importance of the craft and its influence on cinematic style and occasionally beyond.
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When I’m designing a line, there are usually two things I do. I’ve stopped beating myself up about it because most of the procrastination turns into subconscious simmering, and whenever I finally do stop procrastinating, it comes out pretty quickly. Also, there is usually a piece of art or an artist that I am looking at and drawn to that typically anchors the collection.
But after that, I thought, I wanna do what I wanna do, and I wanna work with clothes. When I started, I opened an Etsy shop and tapped into the wholesale market of vintage dead stock. A couple of months after I launched, Urban Outfitters contacted me because they were starting a little vintage capsule project here in L.A., and they were looking for people to source for them. I started working with them while I was still in New York. But I had wanted to leave New York for probably at least two years; I lived in NY for nine years, and I wanted to get off the MTA map and needed to change. So I came out for six weeks and met a buyer that I had been working with, and I did an event with Urban and figured, Okay, I can figure out how to make a living here, and I moved.
Many are transplants from New York and first sharpened their skills within that city's more rigid structure. The designers we talked to—all of whom happened to be women—praised a willingness among their community to share the means, methods, and secrets of production in this still-developing design landscape. Don’t get me wrong, I loved New York, but it was really hard for me to break out of a structure that existed there in design, and here it didn’t feel like it. I didn’t feel like I was supposed to be producing seasons or that things were expected of me.
I’ve done them every season, and they always sell like crazy. Irene was a true talent whose work still impacts on film today. Costume designer Colleen Atwood dressed Angelina Jolie in ‘The Tourist’ in a dress inspired by an Irene creation. This talented woman’s designs in films of the past continue to influence contemporary tastes. Iconic is the word that comes to mind when describing Deborah Nadoolman’s work.
Fashion and clothes were a personal passion, something that I loved, collecting vintage and going through my grandmother’s stuff, and my mom’s old stuff, but I never thought of it as a career. Going to college at 18, I thought I should do something practical—study political science or go to law school. I worked in the legal world for a couple of years, and I was a teacher the New York City public school system.
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